POPE JOHN XXII.
This prelate is said to have been the friend and pupil of Arnold de Villeneuve, by whom he was instructed in all the secrets of alchymy. Tradition asserts of him, that he made great quantities of gold, and died as rich as Croesus. He was born at Cahors, in the province of Guienne, in the year 1244. He was a very eloquent preacher, and soon reached high dignity in the Church. He wrote a work on the transmutation of metals, and had a famous laboratory at Avignon. He issued two bulls against the numerous pretenders to the art, who had sprung up in every part of Christendom; from which it might be inferred that he was himself free from the delusion. The alchymists claim him, however, as one of the most distinguished and successful professors of their art, and say that his bulls were not directed against the real adepts, but the false pretenders. They lay particular stress upon these words in his bull, "Spondent, quas non exhibent, divitias, _pauperes_ alchymistæ." These, it is clear, they say, relate only to _poor_ alchymists, and therefore false ones. He died in the year 1344, leaving in his coffers a sum of eighteen millions of florins. Popular belief alleged that he had made, and not amassed, this treasure; and alchymists complacently cite this as a proof that the philosopher's stone was not such a chimera as the incredulous pretended. They take it for granted that John really left this money, and ask by what possible means he could have accumulated it. Replying to their own question, they say triumphantly, "His book shews it was by alchymy, the secrets of which he learned from Arnold de Villeneuve and Raymond Lulli. But he was as prudent as all other hermetic philosophers. Whoever would read his book to find out his secret, would employ all his labour in vain; the pope took good care not to divulge it." Unluckily for their own credit, all these gold-makers are in the same predicament; their great secret loses its worth most wonderfully in the telling, and therefore they keep it snugly to themselves. Perhaps they thought that, if everybody could transmute metals, gold would be so plentiful that it would be no longer valuable, and that some new art would be requisite to transmute it back again into steel and iron. If so, society is much indebted to them for their forbearance.
JEAN DE MEUNG.
All classes of men dabbled in the art at this time; the last mentioned was a pope, the one of whom we now speak was a poet. Jean de Meung, the celebrated author of the _Roman de la Rose_, was born in the year 1279 or 1280, and was a great personage at the courts of Louis X., Philip the Long, Charles IV., and Philip de Valois. His famous poem of the _Roman de la Rose_, which treats of every subject in vogue at that day, necessarily makes great mention of alchymy. Jean was a firm believer in the art, and wrote, besides his Roman, two shorter poems, the one entitled _The Remonstrance of Nature to the wandering Alchymist_ and _The Reply of the Alchymist to Nature_. Poetry and alchymy were his delight, and priests and women were his abomination. A pleasant story is related of him and the ladies of the court of Charles IV. He had written the following libellous couplet upon the fair sex:
"Toutes êtes, serez, ou fûtes, De fait ou de volonté, putains; Et qui très bien vous chercherait, Toutes putains vous trouverait."[36]
[36] These verses are but a coarser expression of the slanderous line of Pope, that "every woman is at heart a rake."
This naturally gave great offence; and being perceived one day in the king's antechamber, by some ladies who were waiting for an audience, they resolved to punish him. To the number of ten or twelve, they armed themselves with canes and rods, and surrounding the unlucky poet, called upon the gentlemen present to strip him naked, that they might wreak just vengeance upon him, and lash him through the streets of the town. Some of the lords present were in no wise loath, and promised themselves great sport from his punishment. But Jean de Meung was unmoved by their threats, and stood up calmly in the midst of them, begging them to hear him first, and then, if not satisfied, they might do as they liked with him. Silence being restored, he stood upon a chair, and entered on his defence. He acknowledged that he was the author of the obnoxious verses, but denied that they bore reference to all womankind. He only meant to speak of the vicious and abandoned, whereas those whom he saw around him were patterns of virtue, loveliness, and modesty. If, however, any lady present thought herself aggrieved, he would consent to be stripped, and she might lash him till her arms were wearied. It is added, that by this means Jean escaped his flogging, and that the wrath of the fair ones immediately subsided. The gentlemen present were, however, of opinion, that if every lady in the room whose character corresponded with the verses had taken him at his word; the poet would in all probability have been beaten to death. All his life long he evinced a great animosity towards the priesthood, and his famous poem abounds with passages reflecting upon their avarice, cruelty, and immorality. At his death he left a large box, filled with some weighty material, which he bequeathed to the Cordeliers, as a peace-offering, for the abuse he had lavished upon them. As his practice of alchymy was well known, it was thought the box was filled with gold and silver, and the Cordeliers congratulated each other on their rich acquisition. When it came to be opened, they found to their horror that it was filled only with _slates_, scratched with hieroglyphic and cabalistic characters. Indignant at the insult, they determined to refuse him Christian burial, on pretence that he was a sorcerer. He was, however, honourably buried in Paris, the whole court attending his funeral.
NICHOLAS FLAMEL.
The story of this alchymist, as handed down by tradition, and enshrined in the pages of Lenglet da Fresnoy, is not a little marvellous. He was born at Pontoise, of a poor but respectable family, at the end of the thirteenth, or beginning of the fourteenth century. Having no patrimony, he set out for Paris at an early age, to try his fortune as a public scribe. He had received a good education, was well skilled in the learned languages, and was an excellent penman. He soon procured occupation as a letter-writer and copyist, and used to sit at the corner of the Rue de Marivaux, and practise his calling; but he hardly made profit enough to keep body and soul together. To mend his fortunes he tried poetry; but this was a more wretched occupation still. As a transcriber he had at least gained bread and cheese; but his rhymes were not worth a crust. He then tried painting with as little success; and as a last resource, began to search for the philosopher's stone and tell fortunes. This was a happier idea; he soon increased in substance, and had wherewithal to live comfortably. He therefore took unto himself his wife Petronella, and began to save money; but continued to all outward appearance as poor and miserable as before. In the course of a few years, he became desperately addicted to the study of alchymy, and thought of nothing but the philosopher's stone, the elixir of life, and the universal alkahest. In the year 1257, he bought by chance an old book for two florins, which soon became his sole study. It was written with a steel instrument upon the bark of trees, and contained twenty-one, or as he himself always expressed it, three times seven, leaves. The writing was very elegant and in the Latin language. Each seventh leaf contained a picture and no writing. On the first of these was a serpent swallowing rods; on the second, a cross with a serpent crucified; and on the third, the representation of a desert, in the midst of which was a fountain, with serpents crawling from side to side. It purported to be written by no less a personage than "Abraham, patriarch, Jew, prince, philosopher, priest, Levite, and astrologer;" and invoked curses upon any one who should cast eyes upon it, without being "a sacrificer or a scribe." Nicholas Flamel never thought it extraordinary that Abraham should have known Latin, and was convinced that the characters on his book had been traced by the hands of that great patriarch himself. He was at first afraid to read it, after he became aware of the curse it contained; but he got over that difficulty by recollecting that, although he was not a sacrificer, he had practised as a scribe. As he read he was filled with admiration, and found that it was a perfect treatise upon the transmutation of metals. All the processes were clearly explained; the vessels, the retorts, the mixtures, and the proper times and seasons for experiment. But as ill-luck would have it, the possession of the philosopher's stone, or prime agent in the work, was presupposed. This was a difficulty which was not to be got over. It was like telling a starving man how to cook a beef-steak, instead of giving him the money to buy one. But Nicholas did not despair, and set about studying the hieroglyphics and allegorical representations with which the book abounded. He soon convinced himself that it had been one of the sacred books of the Jews, and that it was taken from the temple of Jerusalem on its destruction by Titus. The process of reasoning by which he arrived at this conclusion is not stated.
From some expression in the treatise, he learned that the allegorical drawings on the fourth and fifth leaves enshrined the secret of the philosopher's stone, without which all the fine Latin of the directions was utterly unavailing. He invited all the alchymists and learned men of Paris to come and examine them, but they all departed as wise as they came. Nobody could make any thing either of Nicholas or his pictures; and some even went so far as to say that his invaluable book was not worth a farthing. This was not to be borne; and Nicholas resolved to discover the great secret by himself, without troubling the philosophers. He found on the first page of the fourth leaf, the picture of Mercury attacked by an old man resembling Saturn or Time. The latter had an hour-glass on his head, and in his hand a scythe, with which he aimed a blow at Mercury's feet. The reverse of the leaf represented a flower growing on a mountain top, shaken rudely by the wind, with a blue stalk, red and white blossoms, and leaves of pure gold. Around it were a great number of dragons and griffins. On the first page of the fifth leaf was a fine garden, in the midst of which was a rose-tree in full bloom, supported against the trunk of a gigantic oak. At the foot of this there bubbled up a fountain of milk-white water, which, forming a small stream, flowed through the garden, and was afterwards lost in the sands. On the second page was a king, with a sword in his hand, superintending a number of soldiers, who, in execution of his orders, were killing a great multitude of young children, spurning the prayers and tears of their mothers, who tried to save them from destruction. The blood of the children was carefully collected by another party of soldiers, and put into a large vessel, in which two allegorical figures of the sun and moon were bathing themselves.
For twenty-one years poor Nicholas wearied himself with the study of these pictures, but still he could make nothing of them. His wife Petronella at last persuaded him to find out some learned rabbi; but there was no rabbi in Paris learned enough to be of any service to him. The Jews met but small encouragement to fix their abode in France, and all the chiefs of that people were located in Spain. To Spain accordingly Nicholas Flamel repaired. He left his book in Paris, for fear, perhaps, that he might be robbed of it on the road; and telling his neighbours that he was going on a pilgrimage to the shrine of St. James of Compostello, he trudged on foot towards Madrid in search of a rabbi. He was absent two years in that country, and made himself known to a great number of Jews, descendants of those who had been expelled from France in the reign of Philip Augustus. The believers in the philosopher's stone give the following account of his adventures: They say that at Leon he made the acquaintance of a converted Jew, named Cauches, a very learned physician, to whom he explained the title and nature of his little book. The doctor was transported with joy as soon as he heard it named, and immediately resolved to accompany Nicholas to Paris, that he might have a sight of it. The two set out together; the doctor on the way entertaining his companion with the history of his book, which, if the genuine book he thought it to be, from the description he had heard of it, was in the handwriting of Abraham himself, and had been in the possession of personages no less distinguished than Moses, Joshua, Solomon, and Esdras. It contained all the secrets of alchymy and of many other sciences, and was the most valuable book that had ever existed in this world. The doctor was himself no mean adept, and Nicholas profited greatly by his discourse, as in the garb of poor pilgrims they wended their way to Paris, convinced of their power to turn every old shovel in that capital into pure gold. But, unfortunately, when they reached Orleans, the doctor was taken dangerously ill. Nicholas watched by his bedside, and acted the double part of a physician and nurse to him; but he died after a few days, lamenting with his last breath that he had not lived long enough to see the precious volume. Nicholas rendered the last honours to his body; and with a sorrowful heart, and not one _sou_ in his pocket, proceeded home to his wife Petronella. He immediately recommenced the study of his pictures; but for two whole years he was as far from understanding them as ever. At last, in the third year, a glimmer of light stole over his understanding. He recalled some expression of his friend the doctor, which had hitherto escaped his memory, and he found that all his previous experiments had been conducted on a wrong basis. He recommenced them now with renewed energy, and at the end of the year had the satisfaction to see all his toils rewarded. On the 13th January 1382, says Lenglet, he made a projection on mercury, and had some very excellent silver. On the 25th April following, he converted a large quantity of mercury into gold, and the great secret was his.
Nicholas was now about eighty years of age, and still a hale and stout old man. His friends say that by a simultaneous discovery of the elixir of life, he found means to keep death at a distance for another quarter of a century; and that he died in 1415, at the age of 116. In this interval he made immense quantities of gold, though to all outward appearance he was as poor as a mouse. At an early period of his changed fortune, he had, like a worthy man, taken counsel with his old wife Petronella, as to the best use he could make of his wealth. Petronella replied, that as unfortunately they had no children, the best thing he could do, was to build hospitals and endow churches. Nicholas thought so too, especially when he began to find that his elixir could not keep off death, and that the grim foe was making rapid advances upon him. He richly endowed the church of St. Jacques de la Boucherie, near the Rue de Marivaux, where he had all his life resided, besides seven others in different parts of the kingdom. He also endowed fourteen hospitals, and built three chapels.
The fame of his great wealth and his munificent benefactions soon spread over all the country, and he was visited, among others, by the celebrated doctors of that day, Jean Gerson, Jean de Courtecuisse, and Pierre d'Ailli. They found him in his humble apartment, meanly clad, and eating porridge out of an earthen vessel; and with regard to his secret, as impenetrable as all his predecessors in alchymy. His fame reached the ears of the king, Charles VI., who sent M. de Cramoisi, the Master of Requests, to find out whether Nicholas had indeed discovered the philosopher's stone. But M. de Cramoisi took nothing by his visit; all his attempts to sound the alchymist were unavailing, and he returned to his royal master no wiser than he came. It was in this year, 1414, that he lost his faithful Petronella. He did not long survive her, but died in the following year, and was buried with great pomp by the grateful priests of St. Jacques de la Boucherie.
The great wealth of Nicholas Flamel is undoubted, as the records of several churches and hospitals in France can testify. That he practised alchymy is equally certain, as he left behind several works upon the subject. Those who knew him well, and who were incredulous about the philosopher's stone, give a satisfactory solution of the secret of his wealth. They say that he was always a miser and a usurer; that his journey to Spain was undertaken with very different motives from those pretended by the alchymists; that, in fact, he went to collect debts due from Jews in that country to their brethren in Paris, and that he charged a commission of fully cent per cent in consideration of the difficulty of collecting and the dangers of the road; that when he possessed thousands, he lived upon almost nothing; and was the general money-lender, at enormous profits, to all the dissipated young men at the French court.
Among the works written by Nicholas Flamel on the subject of alchymy is _The Philosophic Summary_, a poem, reprinted in 1735, as an appendix to the third volume of the _Roman de la Rose_. He also wrote three treatises upon natural philosophy, and an alchymic allegory, entitled _Le Désir désiré_. Specimens of his writing, and a fac-simile of the drawings in his book of Abraham, may be seen in Salmon's _Bibliothèque des Philosophes Chimiques_. The writer of the article _Flamel_ in the _Biographie Universelle_ says, that for a hundred years after the death of Flamel, many of the adepts believed that he was still alive, and that he would live for upwards of six hundred years. The house he formerly occupied, at the corner of the Rue de Marivaux, has been often taken by credulous speculators, and ransacked from top to bottom, in the hopes that gold might be found. A report was current in Paris, not long previous to the year 1816, that some lodgers had found in the cellars several jars filled with a dark-coloured ponderous matter. Upon the strength of the rumour, a believer in all the wondrous tales told of Nicholas Flamel bought the house, and nearly pulled it to pieces in ransacking the walls and wainscoting for hidden gold. He got nothing for his pains, however, and had a heavy bill to pay to restore his dilapidations.
GEORGE RIPLEY.
While alchymy was thus cultivated on the continent of Europe, it was not neglected in the isles of Britain. Since the time of Roger Bacon, it had fascinated the imagination of many ardent men in England. In the year 1404 an act of parliament was passed declaring the making of gold and silver to be felony. Great alarm was felt at that time lest any alchymist should succeed in his projects, and perhaps bring ruin upon the state by furnishing boundless wealth to some designing tyrant, who would make use of it to enslave his country. This alarm appears to have soon subsided; for, in the year 1455, King Henry VI., by advice of his council and parliament, granted four successive patents and commissions to several knights, citizens of London, chemists, monks, mass-priests, and others, to find out the philosopher's stone and elixir, "to the great benefit," said the patent, "of the realm, and the enabling of the king to pay all the debts of the crown in real gold and silver." Prinn, in his _Aurum Reginæ_, observes, as a note to this passage, that the king's reason for granting this patent to ecclesiastics was, that "they were such good artists in transubstantiating bread and wine in the eucharist, and therefore the more likely to be able to effect the transmutation of baser metals into better." No gold, of course, was ever made; and next year the king, doubting very much of the practicability of the thing, took further advice, and appointed a commission of ten learned men and persons of eminence to judge and certify to him whether the transmutation of metals were a thing practicable or no. It does not appear whether the commission ever made any report upon the subject.
In the succeeding reign an alchymist appeared who pretended to have discovered the secret. This was George Ripley, the canon of Bridlington, in Yorkshire. He studied for twenty years in the universities of Italy, and was a great favourite with Pope Innocent VIII., who made him one of his domestic chaplains, and master of the ceremonies in his household. Returning to England in 1477, he dedicated to King Edward IV. his famous work, _The Compound of Alchymy_; or, _the Twelve Gates leading to the Discovery of the Philosopher's Stone_. These gates he described to be calcination, solution, separation, conjunction, putrefaction, congelation, cibation, sublimation, fermentation, exaltation, multiplication, and projection; to which he might have added botheration, the most important process of all. He was very rich, and allowed it to be believed that he could make gold out of iron. Fuller, in his _Worthies of England_, says that an English gentleman of good credit reported, that in his travels abroad he saw a record in the island of Malta which declared that Ripley gave yearly to the knights of that island, and of Rhodes, the enormous sum of one hundred thousand pounds sterling to enable them to carry on the war against the Turks. In his old age he became an anchorite near Boston, and wrote twenty-five volumes upon the subject of alchymy, the most important of which is the _Duodecim Portarum_ already mentioned. Before he died, he seems to have acknowledged that he had mis-spent his life in this vain study, and requested that all men, when they met with any of his books, would burn them, or afford them no credit, as they had been written merely from his opinion, and not from proof; and that subsequent trial had made manifest to him that they were false and vain.[37]
[37] Fuller's _Worthies of England_.
BASIL VALENTINE.
Germany also produced many famous alchymists in the fifteenth century, the chief of whom are Basil Valentine, Bernard of Trèves, and the Abbot Trithemius. Basil Valentine was born at Mayence, and was made prior of St. Peter's, at Erfurt, about the year 1414. It was known, during his life, that he diligently sought the philosopher's stone, and that he had written some works upon the process of transmutation. They were thought for many years to be lost, but were, after his death, discovered enclosed in the stone-work of one of the pillars in the Abbey. They were twenty-one in number, and are fully set forth in the third volume of Lenglet's _History of the Hermetic Philosophy_. The alchymists asserted that heaven itself conspired to bring to light these extraordinary works; and that the pillar in which they were enclosed was miraculously shattered by a thunderbolt; and that as soon as the manuscripts were liberated, the pillar closed up again of its own accord!
BERNARD OF TREVES.
The life of this philosopher is a remarkable instance of talent and perseverance misapplied. In the search of his chimera nothing could daunt him. Repeated disappointment never diminished his hopes; and from the age of fourteen to that of eighty-five he was incessantly employed among the drugs and furnaces of his laboratory, wasting his life with the view of prolonging it, and reducing himself to beggary in the hopes of growing rich.
He was born at either Trèves or Padua in the year 1406. His father is said by some to have been a physician in the latter city, and by others to have been Count of the Marches of Trèves, and one of the most wealthy nobles of his country. At all events, whether noble or physician, he was a rich man, and left his son a magnificent estate. At the age of fourteen he first became enamoured of the science of alchymy, and read the Arabian authors in their own language. He himself has left a most interesting record of his labours and wanderings, from which the following particulars are chiefly extracted. The first book which fell into his hands was that of the Arabian philosopher Rhazes, from the reading of which he imagined that he had discovered the means of augmenting gold a hundredfold. For four years he worked in his laboratory, with the book of Rhazes continually before him. At the end of that time, he found that he had spent no less than eight hundred crowns upon his experiment, and had got nothing but fire and smoke for his pains. He now began to lose confidence in Rhazes, and turned to the works of Geber. He studied him assiduously for two years; and being young, rich, and credulous, was beset by all the alchymists of the town, who kindly assisted him in spending his money. He did not lose his faith in Geber, or patience with his hungry assistants, until he had lost two thousand crowns--a very considerable sum in those days.
Among all the crowd of pretended men of science who surrounded him, there was but one as enthusiastic and as disinterested as himself. With this man, who was a monk of the order of St. Francis, he contracted an intimate friendship, and spent nearly all his time. Some obscure treatises of Rupecissa and Sacrobosco having fallen into their hands, they were persuaded, from reading them, that highly rectified spirits of wine was the universal alkahest, or dissolvent, which would aid them greatly in the process of transmutation. They rectified the alcohol thirty times, till they made it so strong as to burst the vessels which contained it. After they had worked three years, and spent three hundred crowns in the liquor, they discovered that they were on the wrong track. They next tried alum and copperas; but the great secret still escaped them. They afterwards imagined that there was a marvellous virtue in all excrement, especially the human, and actually employed more than two years in experimentalising upon it with mercury, salt, and molten lead! Again the adepts flocked around him from far and near to aid him with their counsels. He received them all hospitably, and divided his wealth among them so generously and unhesitatingly, that they gave him the name of the "Good Trevisan," by which he is still often mentioned in works that treat on alchymy. For twelve years he led this life, making experiments every day upon some new substance, and praying to God night and morning that he might discover the secret of transmutation.
In this interval he lost his friend the monk, and was joined by a magistrate of the city of Trèves, as ardent as himself in the search. His new acquaintance imagined that the ocean was the mother of gold, and that sea-salt would change lead or iron into the precious metals. Bernard resolved to try; and, transporting his laboratory to a house on the shores of the Baltic, he worked upon salt for more than a year, melting it, sublimating it, crystallising it, and occasionally drinking it, for the sake of other experiments. Still the strange enthusiast was not wholly discouraged, and his failure in one trial only made him the more anxious to attempt another.
He was now approaching the age of fifty, and had as yet seen nothing of the world. He therefore determined to travel through Germany, Italy, France, and Spain. Wherever he stopped he made inquiries whether there were any alchymists in the neighbourhood. He invariably sought them out; and if they were poor, relieved, and if affluent, encouraged them. At Citeaux he became acquainted with one Geoffrey Leuvier, a monk of that place, who persuaded him that the essence of egg-shells was a valuable ingredient. He tried, therefore, what could be done; and was only prevented from wasting a year or two on the experiment by the opinions of an attorney, at Berghem, in Flanders, who said that the great secret resided in vinegar and copperas. He was not convinced of the absurdity of this idea until he had nearly poisoned himself. He resided in France for about five years, when, hearing accidentally that one Master Henry, confessor to the Emperor Frederic III., had discovered the philosopher's stone, he set out for Germany to pay him a visit. He had, as usual, surrounded himself with a set of hungry dependants, several of whom determined to accompany him. He had not heart to refuse them, and he arrived at Vienna with five of them. Bernard sent a polite invitation to the confessor, and gave him a sumptuous entertainment, at which were present nearly all the alchymists of Vienna. Master Henry frankly confessed that he had not discovered the philosopher's stone, but that he had all his life been employed in searching for it, and would so continue till he found it, or died. This was a man after Bernard's own heart, and they vowed with each other an eternal friendship. It was resolved, at supper, that each alchymist present should contribute a certain sum towards raising forty-two marks of gold, which, in five days, it was confidently asserted by Master Henry, would increase, in his furnace, fivefold. Bernard, being the richest man, contributed the lion's share, ten marks of gold, Master Henry five, and the others one or two a-piece, except the dependants of Bernard, who were obliged to borrow their quota from their patron. The grand experiment was duly made; the golden marks were put into a crucible, with a quantity of salt, copperas, aquafortis, egg-shells, mercury, lead, and dung. The alchymists watched this precious mess with intense interest, expecting that it would agglomerate into one lump of pure gold. At the end of three weeks they gave up the trial, upon some excuse that the crucible was not strong enough, or that some necessary ingredient was wanting. Whether any thief had put his hands into the crucible is not known, but it is alleged that the gold found therein at the close of the experiment was worth only sixteen marks, instead of the forty-two, which were put there at the beginning.